THE 3 BEST NEW CRIME MOVIES YOU NEED TO SEE

The 3 Best New Crime Movies You Need to See

The 3 Best New Crime Movies You Need to See

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The 3 Best New Crime Movies You Need to See


Dark, Gritty, and Unforgettable


The 2020s have already delivered gripping crime films that redefine the genre with fresh twists, bold storytelling, and stellar performances. Here are the three best modern crime movies you shouldn’t miss:ON DesiCinema movies



1. The Killer (2023)


Director: David Fincher
Starring: Michael Fassbender, Tilda Swinton
Why It’s Great: A chilling, methodical hitman thriller from the mind behind Se7en and Fight Club. Fassbender plays an assassin unraveling after a botched job, blending icy precision with dark humor. Fincher’s signature style—clinical cinematography, a pulsating score, and razor-sharp tension—makes this a standout.
Key Moment: The brutal, wordless apartment fight scene.



2. The Gentlemen (2020)


Director: Guy Ritchie
Starring: Matthew McConaughey, Charlie Hunnam, Hugh Grant
Why It’s Great: Ritchie returns to his Lock, Stock roots with this stylish, twisty crime comedy. McConaughey shines as a cannabis kingpin fending off rivals, while Hugh Grant steals scenes as a sleazy private eye. The dialogue crackles, the plot zigzags, and the swagger is unmatched.
Key Moment: The "Fake MI6" monologue—Hugh Grant at his best.



3. Killers of the Flower Moon (2023)


Director: Martin Scorsese
Starring: Leonardo DiCaprio, Robert De Niro, Lily Gladstone
Why It’s Great: A true-crime epic about the Osage Nation murders in 1920s Oklahoma. Scorsese crafts a haunting tale of greed and betrayal, with De Niro and DiCaprio delivering career-best performances. More than a crime film—it’s a historical reckoning.
Key Moment: The chilling "insulin scene."



Honorable Mentions:




  • The Outfit (2022) – A tense, single-location gangster thriller.




  • The Batman (2022) – A neo-noir take on Gotham’s underworld.




These films prove crime cinema is alive and evolving—whether through Fincher’s precision, Ritchie’s wit, or Scorsese’s grandeur. Which one will you watch first?

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